Recent Dance Reviews

Luminato 2018 Dancetheatre Review: Swan Lake/Loch na hEala (Teac Damsa

Alex Leonhartsberger and Rachel Poirier Photo: Foteini Christofilopoulou

The point of a festival is seeing performing arts that are different or unique to showings in your own town – or why have a festival at all? With this statement as a dictum, let’s look at one of the opening shows of Luminato 2018 – Swan Lake/Loch na hEala. As it happens, the production is perfect festival fare.

The dancetheatre piece is the brainchild of writer, director, choreographer Michael Keegan-Dolan, artistic –Read More

Dance Review: National Ballet of Canada/Frame by Frame (An Homage to Norman McLaren)

Dance Review: The National Ballet of Canada/Frame by Frame directed by Robert Lepage & choreographed by Guillaume Côté

Photo: Karolina Kuras

The world premiere of the National Ballet of Canada’s Frame by Frame left me stunned and speechless, the former due to the work’s eye-popping, even mind-boggling, visual assault on the senses, the latter because words can’t possibly capture the piece’s immense canvas of creativity. In short – Frame by Frame is a work of genius (directed by Robert Lepage –Read More

Interview – Greta Hodgkinson, principal dancer, The National Ballet of Canada/Frame by Frame

Photo: David Leclerc

Interview with Greta Hodgkinson, principal dancer, The National Ballet of Canada, about the new Robert Lepage/Guillaume Côté work, Frame by Frame.

INTRODUCTION

The most highly anticipated dance event of the year has to be Frame by Frame, an homage to the life and work of film pioneer Norman McLaren, created by theatre icon Robert Lepage and choreographer Guillaume Côté. The production premieres on June 1.

Lepage’s name is spoken with reverence throughout the world. He is a genuine polymath, –Read More

Dance Review: DanceWorks/Hanna Kiel’s Chasing the Path

Photo credit Sam So

The cheers, whistles and standing ovation that greeted choreographer Hanna Kiel’s new work Chasing the Path was heartfelt and profound. Clearly her exploration of the intersection between memory, experience and life had touched people’s very soul. Choosing to choreograph abstract themes can be difficult to convey, but Kiel has been able, in this work, to command the bodies of her excellent dancers to express the inexpressible, as it were.

Photo credit Sam So

Four characters –Read More

Interview with Elena Lobsanova, Principal Dancer, National Ballet of Canada

INTRODUCTION

Elena Lobsanova, 31, is considered one of the finest purveyors of classical technique in the National Ballet of Canada. Born in Moscow, she immigrated with her family to Toronto when she was four. After graduating from Canada’s National Ballet School, she joined the company in 2004, and was promoted to principal dancer in 2015. Her prowess as both a classical and contemporary dancer was acclaimed when she won the prestigious Eighth International Competition for The Erik Bruhn Prize in –Read More

Mini Dance Review: Peggy Baker Dance Projects/Map by Years

Peggy Baker “unmoored”

Peggy Baker’s newest dance show Map by Years is divine. The choreographer/dancer has always had the knack of handing off her work to the ideal person, and veterans Jessica Runge, Andrea Nann and Kate Holden do her proud in vintage Baker solos (Her Heart, Krishna’s Mouth and Portal respectively). Natasha Bakht and Mairi Greig alternate with Nann and Holden at different performances. Baker herself performs her haunting new work unmoored (created with Sarah Chase), a “dance –Read More

Dance Review – DanceWorks 40th Anniversary Presentation

DanceWorks 40th Anniversary Presentation takes place at Harbourfront Centre Theatre, Nov. 16-18.

Mimi Beck

When DanceWorks began 40 years ago, it was one of several presenter dance series in Toronto. Now, as it celebrates its 40th anniversary, it is almost the only game in town, which makes its longevity all the more notable.

One expects tributes to the past on such an anniversary and DW curator Mimi Beck’s program certainly gives us that look back. There are also several premieres, and –Read More

Dance Preview – Life Eternal choreographed by Janak Khendry

Janak Khendry

Introduction to Janak Khendry and his new dance piece Life Eternal

Life Eternal is at the Fleck Dance Theatre Nov. 9-11.

At 78, choreographer/designer/sculptor Janak Khendry is the doyen of Indian classical dance in Canada. Roughly every two years, he produces a gigantic dance piece of sumptuous beauty and deep philosophical inquiry. This year’s offering is Life Eternal, which examines the pathway to immortality in three great religions – Buddhism, Jainism, and Hinduism. When it comes to themes, Khendry –Read More

Dance Preview: Choreographer Kathleen Rea’s Men’s Circle – Dance Meets Psychotherapy

Kathleen ReaPhoto Simon Tanenbaum

Introduction to Kathleen Rea

Men’s Circle (Nov. 3-5) is Rea’s exploration of the vulnerability of men. She is the creator, writer, director and choreographer.

As a parallel career to her dance projects, Rea has maintained a private psychotherapy practice for 15 years. The wellspring of Men’s Circle was inspired by her own clients. Her life progression has been a journey from a troubled ballerina with an eating disorder, to a well-adjusted mother of two.

Rea studied at Canada’s –Read More

Dance Preview: Catching up with Matjash Mrozewski – the choreographer/director has two premieres

Introduction to Matjash Mrozewski

The next two weeks feature two Mrozewski premieres. Future Perfect Continuous, created with Anna Chatterton, (ProArteDanza, Nov. 1-4), and Abiding, a solo for Evelyn Hart (Older & Reckless, Nov. 10 & 11).

Mrozewski graduated from the National Ballet School in 1993. During his career as a dancer, he performed with the National Ballet of Canada, Le Ballet du Grand Théâtre de Genève, and Les Ballets de Monte Carlo. Early on he had shown a penchant for choreography, –Read More