Recent Theatre Reviews
Photo by Haley Garnett
The Philosopher’s Wife by Susanna Fournier is one of those deeply intelligent and subversive plays that would look at home being performed at Stratford’s Studio Theatre. It has just the right kind of heft and gravitas (not to mention wry humour) that would appeal to a smart and discerning audience.
The work is the first installment of The Empire Trilogy, a series of epics covering a span of 500 years that explore the effects of imperialism, both on –Read More
Photo by Lyon Smith
Propelled by the magnificent performance of Gord Rand, the visionary direction of Daniel Brooks, and the profound script by Christopher Morris, The Runner is a spellbinding and disturbing theatre experience that is not to be missed.
Rand plays Jacob Cohen, a member of ZAKA, the Israeli organization that collects the body parts and blood of Jews who have been dismembered by bombings or mutilated in car accidents. These orthodox Jews believe that their co-religionists must be buried whole. –Read More
Photo by Dahlia Katz
What I call her is
a brave but troubled play – by the former, I mean in terms of subject matter;
by the latter, I mean in terms of writing and acting.
Playwright Ellie Moon clearly likes to tackle difficult
material. Her first play, Asking For it,
was a docudrama about sexual consent that was built around verbatim interviews
conducted by Moon herself. It was a
sold-out hit. I wish I could say her second play was as strong.
What I call her has
a thought-provoking –Read More
Photo by Jeremy Mimnagh
Factory & Selfconscious Productions/We Keep Coming Back co-created by Michael Rubenfeld and Sarah Garton Stanley, directed by Sarah Garton Stanley, Factory Theatre Mainspace, Nov. 14 to Nov. 25. Tickets available at 416.504.9971 or factorytheatre.ca.
We Keep Coming Back is a chaotic production that is also absolutely compelling. As proof of the interest that the play generates, after every performance there is a discussion with the cast, and the night I attended, every member of the audience –Read More
Photo by Jeremy Mimnagh
It might seem self-serving that Evalyn Parry, the artistic director of Buddies in Bad Times Theatre, has opened up the 40th anniversary season (“40 Years of Queer”) with her own play, but when a vehicle is brilliant, I say flaunt it. Gertrude and Alice was a giant hit in 2016 and is always welcome.
The play about long time lovers Gertrude Stein (Parry) and Alice B. Toklas (Anna Chatterton) was written by Parry and Chatterton, and –Read More
Photo by Dahlia Katz
Just published my review on the Ludwig van website of Musical Stage Company and Outside the March/ Dr. Silver: A Celebration of Life, book, music & lyrics by Anika and Britta Johnson, directed by Mitchell Cushman, music director Elizabeth Braid, Heliconian Hall, Sept. 13 to Oct. 14. Tickets available at 1-888-324-6282 or DrSilverTO.ca.
Here’s the link. https://bit.ly/2IfSzAz.
Photo by Wayne Eardley
The 4th Line Theatre bill of fare is typically jolly and/or whimsical, and always informative because of a tie-in to local historical happenings. (The outdoor summer theatre is located on a farm near Millbrook, Ontario.) The world premiere of Who Killed Snow White? by Judith Thompson is a radical departure. Thompson is a distinguished Canadian playwright who writes with her heart on her sleeve. Who Killed Snow White? addresses sexual assault, cyberbullying and teenage suicide –Read More
Photo by Tanja Tiziana
Laura Nanni, 38, is a mover and shaker in the arts. She is a curator, artist and producer, who since 2016, has been the artistic and managing director of the prestigious SummerWorks Performance Festival, Toronto’s annual curated showcase for contemporary new work in theatre, dance, music, live art and multidisciplinary productions. She has also been on the staff of some of the city’s most experimental forums such Nuit Blanche, the Rhubarb Festival and HATCH. Nanni’s –Read More
Photo by Terry Manzo
Playwright Mark Crawford is a comedy genius. The Blyth Festival is featuring the world premiere of his The New Canadian Curling Club, and it is laugh-out-loud hilarious. Crawford’s wickedly funny and very clever one-liners just keep rolling off the stage. But here’s the kicker – the subject of the play is anything but funny, because the main theme is racism and prejudice, with searching questions about what makes someone a Canadian thrown in for good –Read More
Belarus Free Theatre is an ironic name, because the renown company is anything but free in their own country where they are banned. In fact, when they do manage to perform there, they have to go underground. To inform their audience, they put up fliers in university washrooms. Belarus, apparently, is the last dictatorship left in Europe. The exiled company, founded in Minsk in 2005, now calls London home.
Clearly BFT is a company of dissent, and their production Burning –Read More