Month: April 2016

Opera Review – Canadian Opera Company/Bizet’s Carmen

Brilliant conducting by Italian maestro Paolo Carignani, coupled with the sensational singing of French mezzo-soprano Clémentine Margaine as Carmen, and the passionate delivery of Canadian tenor David Pomeroy as Don José, make the COC’s production of Bizet’s warhorse worth the price of admission. All, however, is not perfect. Bizet’s Carmen can be a two-edged sword. […]

Dance Review – DanceWorks/Jackie Burroughs is Dead & what are you going to do about it?, choreographed by DA Hoskins

DA Hoskins usually creates busy pieces inspired by sophisticated intellectual inquiry. Elaborate is a good word to describe his epics that employ text, sets, and visual media, all rooted in a deep emotional base that pervades his choreography.  Jackie Burroughs is Dead & what are you going to do about it? has Hoskins going back […]

Theatre Review – Modern Times/Theatre Centre – Bahram Beyzaie’s The Death of the King

Since 1989, Modern Times Stage Company has come to stand for elegance of expression. Its productions are spare and passionate, whether the plays are original, classical or international. Co-artistic directors Soheil Parsa and Peter Farbridge believe in content that says something about and to humanity at large. As a result, there is a timeless quality […]

Theatre Review – Coal Mine Theatre/Tracy Letts’ Killer Joe

Under artistic curator Ted Dykstra and artistic producer Diana Bentley, Coal Mine Theatre has become synonymous with quality and professionalism. The venue may be a storefront on The Danforth, but Coal Mine productions are top of the line in terms of programming and theatrical values. The company likes to style itself off off Broadway in […]