A contemporary setting for a 19th century fairytale.
Brilliant conducting by Italian maestro Paolo Carignani, coupled with the sensational singing of French mezzo-soprano Clémentine Margaine as Carmen, and the passionate delivery of Canadian tenor David Pomeroy as Don José, make the COC’s production of Bizet’s warhorse worth the price of admission. All, however, is not perfect. Bizet’s Carmen can be a two-edged sword. […]
This is the age of the auteur opera director. With the endlessly repeating standard repertoire a fact of opera life, companies are now searching for productions that give a fresh take on the classics. New opera, of course, is always going to be fresh. Thus, directors and their visions are what drive opera productions these days. The […]
The first act of the COC’s production of The Tales of Hoffmann is worth the price of admission. English director Lee Blakeley has done such a brilliant job with Olympia (Andriana Chuchman), that we can forgive the messy Guilietta (Keri Alkema) act, and puzzling Prologue and Epilogue. His Antonia (Erin Wall) act falls somewhere in between […]