South Asian choreographer Lata Pada celebrated her company’s 25th anniversary with a beautiful production called Nirantara – Beyond Space and Time. The word nirantara means endless, and what Pada hoped to bring together through dance, music, lighting and projections was the concept of the bindu (the sacred point) where time and space come together to touch the divine within.
Much of South Asian dance tends to embrace abstract concepts, and choreographers, like Pada, seem to accept philosophical exploration as –Read More
Julia Cho is a much-admired American playwright so any work of hers is highly anticipated. The combined forces of Theatre Smash and Fu-Gen have come together to present the Canadian premiere of Durango to mixed results – excellent acting, awkward production values.
There’s a saying that any ethnic can relate to any ethnic play, and this is very true of Durango. The story of the pressures of immigrant parents on the first generation children can be felt across a wide –Read More
Toronto Operetta Theatre took a big leap of faith in 2008 by mounting the world premiere of the Canadian operetta, EARNEST, The Importance of Being. Here’s a quote from my 2008 review for Classical 96 FM.
“A new Canadian music work is a significant event, and the charming chamber operetta EARNEST, The Importance of Being, inspired by Oscar Wilde’s play, should have a shelf life. Composed by Victor Davies with a libretto by Eugene Benson, the operetta is filled with –Read More
First some background. When Cavalia burst onto the scene in 2003, it was unlike any other show. The spectacle under the Big Top merged horses, riders and acrobats in the most ingenious way. Its founder, Norman Latourelle, had been with Cirque de Soleil so he understood “big”. Toronto was the first stop outside of Quebec, and this –Read More
The plays of Hannah Moscovitch are smart, sassy and sophisticated. Her themes run deep and reflect her keen intelligence. Her strong characters and sharp dialogue can’t help but lure the audience. But here comes the “but”…Moscovitch might be writing about people in crisis, but her plays are medium cool. I admire her artistry but I’m rarely engaged emotionally. She is a playwright for the mind, and it’s important to note that an evening spent with her in the theatre –Read More