Belarus Free Theatre is an ironic name, because the renown company is anything but free in their own country where they are banned. In fact, when they do manage to perform there, they have to go underground. To inform their audience, they put up fliers in university washrooms. Belarus, apparently, is the last dictatorship left in Europe. The exiled company, founded in Minsk in 2005, now calls London home.
Clearly BFT is a company of dissent, and their production Burning –Read More
The Irish theme at this year’s Luminato Festival continues with RIOT. The production is the brainchild of THISISPOPBABY (aka Jennifer Jennings & Phillip McMahon), a company that bills itself as having one foot in high art and the other in trash culture. Their mandate is to produce high-octane shows that blur the lines between circus, comedy, burlesque, dance and nightclub. Clearly Luminato programmed RIOT to attract the younger demographic, and the audience was filled with twenty and thirtysomethings out –Read More
The point of a festival is seeing performing arts that are different or unique to showings in your own town – or why have a festival at all? With this statement as a dictum, let’s look at one of the opening shows of Luminato 2018 – Swan Lake/Loch na hEala. As it happens, the production is perfect festival fare.
The dancetheatre piece is the brainchild of writer, director, choreographer Michael Keegan-Dolan, artistic –Read More
Dance Review: The National Ballet of Canada/Frame by Frame directed by Robert Lepage & choreographed by Guillaume Côté
The world premiere of the National Ballet of Canada’s Frame by Frame left me stunned and speechless, the former due to the work’s eye-popping, even mind-boggling, visual assault on the senses, the latter because words can’t possibly capture the piece’s immense canvas of creativity. In short – Frame by Frame is a work of genius (directed by Robert Lepage –Read More
Interview with Greta Hodgkinson, principal dancer, The National Ballet of Canada, about the new Robert Lepage/Guillaume Côté work, Frame by Frame.
The most highly anticipated dance event of the year has to be Frame by Frame, an homage to the life and work of film pioneer Norman McLaren, created by theatre icon Robert Lepage and choreographer Guillaume Côté. The production premieres on June 1.
Lepage’s name is spoken with reverence throughout the world. He is a genuine polymath, –Read More