Photo by Jeremy Mimnagh

It might seem self-serving that Evalyn Parry, the artistic director of Buddies in Bad Times Theatre, has opened up the 40th anniversary season (“40 Years of Queer”) with her own play, but when a vehicle is brilliant, I say flaunt it. Gertrude and Alice was a giant hit in 2016 and is always welcome.

The play about long time lovers Gertrude Stein (Parry) and Alice B. Toklas (Anna Chatterton) was written by Parry and Chatterton, and –Read More

Recent Blog Posts

A New Gig for Paula

June 17, 2018 – A New Gig for Paula

I am now a contributor to Ludwig van Toronto, an online magazine (mostly music) that is now branching out into dance and theatre. My first review for Ludwig van is The National  Ballet of Canada’s summer mixed program.

Ludwig van is a good-looking, informative magazine and I’m delighted to be a contributor for dance and theatre.

Here’s the link. Enjoy.

https://www.ludwig-van.com/toronto/

Musings – Ontario Election 2018

On the night Donald Trump was elected, comedienne Jenna Friedman on a late night talk show summed up the situation perfectly with – “We’re fucked.” Never did I think that I would be in the same boat with a meathead elected as premier in my own province. Now it’s my turn to say, “We’re fucked.”

The only smart Ontario voters live in Toronto. I’m talking about the old Toronto, the real Toronto without Etobicoke, North York and Scarborough, all of –Read More

TIFF Movies 2016 – Best and Worst

Saw 21 films, almost all of them enjoyable. Due to a broken neck, (I kid you not), caused by a very bad fall in early August, I had to construct a list of films where I didn’t have to switch theatres during the day. I also needed decent access because of my walker, so there are more big-budget English language movies than I would usually choose. My directors were largely women, although that was happenstance and not design. By coincidence, –Read More

Paula’s Picks and Pans

This week/weekend there is a deluge of openings. In dance, there’s ProArteDanza, Kathleen Rea, and Red Sky, not to mention Theatre Gargantua and the new music concert Unsound. One hopes they all find an audience.

Recent Reviews

Theatre Review on Ludwig van/Dr. Silver: A Celebration of Life

Photo by Dahlia Katz

Just published my review on the Ludwig van website of Musical Stage Company and Outside the March/ Dr. Silver: A Celebration of Life, book, music & lyrics by Anika and Britta Johnson, directed by Mitchell Cushman, music director Elizabeth Braid, Heliconian Hall, Sept. 13 to Oct. 14. Tickets available at 1-888-324-6282 or DrSilverTO.ca.

Here’s the link. https://bit.ly/2IfSzAz.

Theatre Review: 4th Line Theatre 2018 – Who Killed Snow White? by Judith Thompson

Photo by Wayne Eardley

The 4th Line Theatre bill of fare is typically jolly and/or whimsical, and always informative because of a tie-in to local historical happenings. (The outdoor summer theatre is located on a farm near Millbrook, Ontario.) The world premiere of Who Killed Snow White? by Judith Thompson is a radical departure. Thompson is a distinguished Canadian playwright who writes with her heart on her sleeve. Who Killed Snow White? addresses sexual assault, cyberbullying and teenage suicide –Read More

Interview – Laura Nanni, artistic and managing director of SummerWorks Performance Festival

Photo by Tanja Tiziana

INTRODUCTION

Laura Nanni, 38, is a mover and shaker in the arts. She is a curator, artist and producer, who since 2016, has been the artistic and managing director of the prestigious SummerWorks Performance Festival, Toronto’s annual curated showcase for contemporary new work in theatre, dance, music, live art and multidisciplinary productions. She has also been on the staff of some of the city’s most experimental forums such Nuit Blanche, the Rhubarb Festival and HATCH. Nanni’s –Read More

Theatre Review/Blyth Festival 2018 – The New Canadian Curling Club by Mark Crawford

Photo by Terry Manzo

Playwright Mark Crawford is a comedy genius. The Blyth Festival is featuring the world premiere of his The New Canadian Curling Club, and it is laugh-out-loud hilarious. Crawford’s wickedly funny and very clever one-liners just keep rolling off the stage. But here’s the kicker – the subject of the play is anything but funny, because the main theme is racism and prejudice, with searching questions about what makes someone a Canadian thrown in for good –Read More