The Irish theme at this year’s Luminato Festival continues with RIOT. The production is the brainchild of THISISPOPBABY (aka Jennifer Jennings & Phillip McMahon), a company that bills itself as having one foot in high art and the other in trash culture. Their mandate is to produce high-octane shows that blur the lines between circus, comedy, burlesque, dance and nightclub. Clearly Luminato programmed RIOT to attract the younger demographic, and the audience was filled with twenty and thirtysomethings out –Read More

Recent Blog Posts

A New Gig for Paula

June 17, 2018 – A New Gig for Paula

I am now a contributor to Ludwig van Toronto, an online magazine (mostly music) that is now branching out into dance and theatre. My first review for Ludwig van is The National  Ballet of Canada’s summer mixed program.

Ludwig van is a good-looking, informative magazine and I’m delighted to be a contributor for dance and theatre.

Here’s the link. Enjoy.

https://www.ludwig-van.com/toronto/

Musings – Ontario Election 2018

On the night Donald Trump was elected, comedienne Jenna Friedman on a late night talk show summed up the situation perfectly with – “We’re fucked.” Never did I think that I would be in the same boat with a meathead elected as premier in my own province. Now it’s my turn to say, “We’re fucked.”

The only smart Ontario voters live in Toronto. I’m talking about the old Toronto, the real Toronto without Etobicoke, North York and Scarborough, all of –Read More

TIFF Movies 2016 – Best and Worst

Saw 21 films, almost all of them enjoyable. Due to a broken neck, (I kid you not), caused by a very bad fall in early August, I had to construct a list of films where I didn’t have to switch theatres during the day. I also needed decent access because of my walker, so there are more big-budget English language movies than I would usually choose. My directors were largely women, although that was happenstance and not design. By coincidence, –Read More

Paula’s Picks and Pans

This week/weekend there is a deluge of openings. In dance, there’s ProArteDanza, Kathleen Rea, and Red Sky, not to mention Theatre Gargantua and the new music concert Unsound. One hopes they all find an audience.

Recent Reviews

Luminato 2018 Dancetheatre Review: Swan Lake/Loch na hEala (Teac Damsa

Alex Leonhartsberger and Rachel Poirier Photo: Foteini Christofilopoulou

The point of a festival is seeing performing arts that are different or unique to showings in your own town – or why have a festival at all? With this statement as a dictum, let’s look at one of the opening shows of Luminato 2018 – Swan Lake/Loch na hEala. As it happens, the production is perfect festival fare.

The dancetheatre piece is the brainchild of writer, director, choreographer Michael Keegan-Dolan, artistic –Read More

Dance Review: National Ballet of Canada/Frame by Frame (An Homage to Norman McLaren)

Dance Review: The National Ballet of Canada/Frame by Frame directed by Robert Lepage & choreographed by Guillaume Côté

Photo: Karolina Kuras

The world premiere of the National Ballet of Canada’s Frame by Frame left me stunned and speechless, the former due to the work’s eye-popping, even mind-boggling, visual assault on the senses, the latter because words can’t possibly capture the piece’s immense canvas of creativity. In short – Frame by Frame is a work of genius (directed by Robert Lepage –Read More

Interview – Greta Hodgkinson, principal dancer, The National Ballet of Canada/Frame by Frame

Photo: David Leclerc

Interview with Greta Hodgkinson, principal dancer, The National Ballet of Canada, about the new Robert Lepage/Guillaume Côté work, Frame by Frame.

INTRODUCTION

The most highly anticipated dance event of the year has to be Frame by Frame, an homage to the life and work of film pioneer Norman McLaren, created by theatre icon Robert Lepage and choreographer Guillaume Côté. The production premieres on June 1.

Lepage’s name is spoken with reverence throughout the world. He is a genuine polymath, –Read More

Theatre Review: The RISER Project 1/Mr. Truth and Tell Me What It’s Called

Toronto’s acclaimed Why Not Theatre is behind the annual RISER Project staged at the Theatre Centre. Called “A Collaborative Producing Model”, the aim is to provide performance opportunities for emerging artists with Why Not helping out with production infrastructure to allow the newbies maximum creation time. Four groups are chosen and appear two by two. The second set of RISER offerings has just opened and runs until May 12 featuring Speaking of Sneaking and Everything I Couldn’t Tell You. –Read More