DanceWorks 40th Anniversary Presentation takes place at Harbourfront Centre Theatre, Nov. 16-18.

Mimi Beck

When DanceWorks began 40 years ago, it was one of several presenter dance series in Toronto. Now, as it celebrates its 40th anniversary, it is almost the only game in town, which makes its longevity all the more notable.

One expects tributes to the past on such an anniversary and DW curator Mimi Beck’s program certainly gives us that look back. There are also several premieres, and –Read More

Recent Blog Posts

TIFF Movies 2016 – Best and Worst

Saw 21 films, almost all of them enjoyable. Due to a broken neck, (I kid you not), caused by a very bad fall in early August, I had to construct a list of films where I didn’t have to switch theatres during the day. I also needed decent access because of my walker, so there are more big-budget English language movies than I would usually choose. My directors were largely women, although that was happenstance and not design. By coincidence, –Read More

Paula’s Picks and Pans

This week/weekend there is a deluge of openings. In dance, there’s ProArteDanza, Kathleen Rea, and Red Sky, not to mention Theatre Gargantua and the new music concert Unsound. One hopes they all find an audience.

Regarding Rob Ford

First let me point out that the death of a relatively young man with a young family is a very sad story indeed. Rob Ford was only 46, after all. Nonetheless, within the adage of you don’t say anything bad about dead people, i’ve been very amused how Canada’s politicians have struggled to find the positives to say about the late Mr. Ford. My favourite is, “He was very dedicated to the city”. I wonder who thought up that bit –Read More

Fall for Dance North Festival – Opening Night

Fall for Dance North is a triumph. The packed house was really stoked and you could feel the buzz in the Sony Centre. It was palpable excitement and each performing group was cheered wildly. Artistic director Ilter Ibrahmof mounted a dream program. What a boon for the city. Program two is tonight and tomorrow and I am in breathless anticipation.

No one will ever again say Fall for Dance what? The tickets for next year’s festival will go like wildfire.

Recent Reviews

Theatre Profile – Jacquie P.A. Thomas/Theatre Gargantua and the new work Reflector

Theatre Gargantua’s Reflector is showing at Theatre Passe Muraille Nov. 2-18. The production’s wellspring is the impact that photojournalism has on public consciousness, and how information can be framed and manipulated.

INTRODUCTION TO THEATRE GARGANTUA.

Jacquie P.A. Thomas

For 25 years, Theatre Gargantua has defined the term multi-disciplinary with original productions, built from scratch, that are an eye-popping mix of narrative, movement, music, stage design and state-of-the-art technology. The devised play is always about a substantive topic – usually concerning the –Read More

Dance Preview – Life Eternal choreographed by Janak Khendry

Janak Khendry

Introduction to Janak Khendry and his new dance piece Life Eternal

Life Eternal is at the Fleck Dance Theatre Nov. 9-11.

At 78, choreographer/designer/sculptor Janak Khendry is the doyen of Indian classical dance in Canada. Roughly every two years, he produces a gigantic dance piece of sumptuous beauty and deep philosophical inquiry. This year’s offering is Life Eternal, which examines the pathway to immortality in three great religions – Buddhism, Jainism, and Hinduism. When it comes to themes, Khendry –Read More

Dance Preview: Choreographer Kathleen Rea’s Men’s Circle – Dance Meets Psychotherapy

Kathleen ReaPhoto Simon Tanenbaum

Introduction to Kathleen Rea

Men’s Circle (Nov. 3-5) is Rea’s exploration of the vulnerability of men. She is the creator, writer, director and choreographer.

As a parallel career to her dance projects, Rea has maintained a private psychotherapy practice for 15 years. The wellspring of Men’s Circle was inspired by her own clients. Her life progression has been a journey from a troubled ballerina with an eating disorder, to a well-adjusted mother of two.

Rea studied at Canada’s –Read More

Dance Preview: Catching up with Matjash Mrozewski – the choreographer/director has two premieres

Introduction to Matjash Mrozewski

The next two weeks feature two Mrozewski premieres. Future Perfect Continuous, created with Anna Chatterton, (ProArteDanza, Nov. 1-4), and Abiding, a solo for Evelyn Hart (Older & Reckless, Nov. 10 & 11).

Mrozewski graduated from the National Ballet School in 1993. During his career as a dancer, he performed with the National Ballet of Canada, Le Ballet du Grand Théâtre de Genève, and Les Ballets de Monte Carlo. Early on he had shown a penchant for choreography, –Read More