No one in the performing arts who is in their right mind plans an event during TIFF. That is just plain artistic suicide. The great tragedy of this fact is that just after TIFF, you tend to get dance bunched together. Thus, the first weekend after TIFF had three wonderful dance events running opposite each other and competing for audiences. In one word – bummer, but on the plus side, what a feast for the eyes!
ProArteDanza is –Read More
Toronto used to be awash in national and international dance, but over time, financial problems led to the demise of key dance series. That is why Fall for Dance North is one of the best things to happen to the local dance scene in years.
FFDN is modelled after Fall for Dance, the storied series launched in 2004 by New York City Centre, the legendary home of performing arts in the Big Apple. With the idea of developing dance audiences, –Read More
South Asian choreographer Lata Pada celebrated her company’s 25th anniversary with a beautiful production called Nirantara – Beyond Space and Time. The word nirantara means endless, and what Pada hoped to bring together through dance, music, lighting and projections was the concept of the bindu (the sacred point) where time and space come together to touch the divine within.
Much of South Asian dance tends to embrace abstract concepts, and choreographers, like Pada, seem to accept philosophical exploration as –Read More
Julia Cho is a much-admired American playwright so any work of hers is highly anticipated. The combined forces of Theatre Smash and Fu-Gen have come together to present the Canadian premiere of Durango to mixed results – excellent acting, awkward production values.
There’s a saying that any ethnic can relate to any ethnic play, and this is very true of Durango. The story of the pressures of immigrant parents on the first generation children can be felt across a wide –Read More
Toronto Operetta Theatre took a big leap of faith in 2008 by mounting the world premiere of the Canadian operetta, EARNEST, The Importance of Being. Here’s a quote from my 2008 review for Classical 96 FM.
“A new Canadian music work is a significant event, and the charming chamber operetta EARNEST, The Importance of Being, inspired by Oscar Wilde’s play, should have a shelf life. Composed by Victor Davies with a libretto by Eugene Benson, the operetta is filled with –Read More