ARCHIVES – DANCE THAT OPENED IN FEBRUARY.2014


abrahamKYLE ABRAHAM/ABRAHAM.IN.MOTION. THE RADIO SHOW. You only have until Saturday to catch this World Stage offering. Abraham is one of New York’s brightest lights. The supple dancers execute fluid, total body choreography in this show about memory and communication. As a dancesmith, Abraham knows how to rivet the eye with movement that always catches you by surprise. No wonder he won a genius grant from the MacArthur Foundation. An ambitious show in content that maybe doesn’t get quite get to where it should in substance, but the choreography rocks. (Closes Feb. 8, Fleck Dance Theatre, www.harbourfrontcentre.com.)

DANCE IMMERSION. CELEBRATING OUR MEN IN DANCE. This show, also on a short run, is part of Black History Month. Curator Vivine Scarlett has opted to program 8 male choreographers to present black men in a positive light. They hail originally from Trinidad and Tobago, Nigeria, South Africa, Mozambique, and Jamaica, while two are Toronto born. The dance ranges from traditional to contemporary and presents a wide spectrum of themes. While the quality is uneven, the bill of fare is entertaining. This is an important show because it speaks to Canada’s multicultural mosaic. (Closes Feb 8, Enwave Theatre, www.harbourfrontcentre.com.)

Mirvish Productions. Heartbeat of Home. This new production, from the team that brought you Riverdance two decades ago, is an immensely enjoyable, professional-looking, polished dance show where everything hangs together as smooth as silk. The music score is sensational and the band it hot. Despite some weaknesses to the look of the show, it certainly deserves a long shelf life. (Closes Mar. 2, Ed Mirvish Theatre, www.mirvish.com.) See full website review, http://wp.me/p2s1nr-zz.

Mirvish Productions. ARRABAL. There’s mostly good news about the dance theatre show Arrabal. The choreography is sharply-edged sensuality and the music is scorching hot. On the down side, the book is weak, but, in the final analysis, who cares. The look of the show, from the gorgeous Argentinian dancers to the towering projections and sexy costumes, is scrumptious. In this coming of age story, the virginal heroine Arrabal (Micaela Spina) discovers that her father is one of the desaparecidos, a dissident who was arrested by the ruling military junta and made to disappear. (Choreographed by Sergio Trujillo and Julio Zurita, book by John Weidman, Closes May 11, Panasonic Theatre, www.mirvish.com.) See full Globe and Mail review (http://bit.ly/1g0KvNh).

PAULA’S PICKS AND PANS

THEATRE – NOW PLAYING (five start rating system)

Canadian Stage. London Road (4 ½ stars). Run don’t walk to see one of the most unusual shows in town that is soon to close. The serial killer of five prostitutes in Ipswich, England, had a flat on London Road. Verbatim playwright Alecky Blythe interviewed residents of the street to capture what they went through during the investigation, arrest and trial. These conversations were then set to music by composer Adam Cork. The resulting sung monologues/dialogues are astonishing in their reality. london_road_4The 11-member cast is unbelievable (all kinds of Stratford/Shaw types), gilded by director Jackie Maxwell and her Shaw Festival music director Reza Jacobs. The costumes and the set are terrific. I’m deducting marks for some impenetrable accents. Nonetheless, once again, CanStage scores big with a North American premiere. (Closes Feb. 9, Bluma Appel Theatre, www.canadianstage.com.)

DANCE – NOW PLAYING

KYLE ABRAHAM/ABRAHAM.IN.MOTION. THE RADIO SHOW. You only have until Saturday to catch this World Stage offering. kyle abrahamAbraham is one of New York’s brightest lights. The supple dancers execute fluid, total body choreography in this show about memory and communication. As a dancesmith, Abraham knows how to rivet the eye with movement that always catches you by surprise. No wonder he won a genius grant from the MacArthur Foundation. An ambitious show in content that maybe doesn’t get quite get to where it should in substance, but the choreography rocks. (Closes Feb. 8, Fleck Dance Theatre, www.harbourfrontcentre.com.)

DANCE IMMERSION. CELEBRATING OUR MEN IN DANCE. This show, also on a short run, is part of Black History Month. Curator Vivine Scarlett has opted to program 8 male choreographers to present black men in a positive light. dance.immersionThey hail originally from Trinidad and Tobago, Nigeria, South Africa, Mozambique, and Jamaica, while two are Toronto born. The dance ranges from traditional to contemporary and presents a wide spectrum of themes. While the quality is uneven, the bill of fare is entertaining. This is an important show because it speaks to Canada’s multicultural mosaic. (Closes Feb 8, Enwave Theatre, www.harbourfrontcentre.com.)

Mirvish Productions. Heartbeat of Home. Heartbeat_of_Home__(6)This new production, from the team that brought you Riverdance two decades ago, is an immensely enjoyable, professional-looking, polished dance show where everything hangs together as smooth as silk. The music score is sensational and the band is hot. Despite some weaknesses to the look of the show, it certainly deserves a long shelf life. (Closes Mar. 2, Ed Mirvish Theatre, www.mirvish.com.) See full website review, http://wp.me/p2s1nr-zz.