Among the many refreshing elements of Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play, is that it features schoolgirls who happen to be black. With a little customization, these girls could be Jewish, Italian, Chinese or whatever. In other words, this play allows us to see black girls in their own specific context, […]
The Philosopher’s Wife by Susanna Fournier is one of those deeply intelligent and subversive plays that would look at home being performed at Stratford’s Studio Theatre. It has just the right kind of heft and gravitas (not to mention wry humour) that would appeal to a smart and discerning audience. The work is the first […]
Propelled by the magnificent performance of Gord Rand, the visionary direction of Daniel Brooks, and the profound script by Christopher Morris, The Runner is a spellbinding and disturbing theatre experience that is not to be missed. Rand plays Jacob Cohen, a member of ZAKA, the Israeli organization that collects the body parts and blood of […]
What I call her is a brave but troubled play – by the former, I mean in terms of subject matter; by the latter, I mean in terms of writing and acting. Playwright Ellie Moon clearly likes to tackle difficult material. Her first play, Asking For it, was a docudrama about sexual consent that was […]
Factory & Selfconscious Productions/We Keep Coming Back co-created by Michael Rubenfeld and Sarah Garton Stanley, directed by Sarah Garton Stanley, Factory Theatre Mainspace, Nov. 14 to Nov. 25. Tickets available at 416.504.9971 or factorytheatre.ca. We Keep Coming Back is a chaotic production that is also absolutely compelling. As proof of the interest that the play […]
